"...And he painted it in so good a style that his work was held to be, as it certainly is, the most smooth, the most vivacious in colouring and drawing that he ever did, or rather that anyone could do. For apart from all the rest, he gave such infinite grace, grandeur, and majesty to all the figures that I do not know how to praise his Last Supper without saying too little, it being so fine that whoever sees it is stupefied. It is no wonder that, because of its excellence, during the devastations of the siege of Florence in the year 1529, it was allowed to be left standing, while the soldiers and wrecking squads, by command of those in charge, destroyed all the suburbs around the city, and the monasteries, hospitals and all other buildings. These men, let me say, having destroyed the church and the campanile of San Salvi, and started to tear down part of the convent, had reached the refectory containing the Last Supper when the man who led them, seeing and perhaps having heard speak of this marvellous painting, abandoned what they had embarked on and would not let any more of the place be destroyed, putting this off till they could not do otherwise". (Giorgio Vasari, 1568).

Andrea del Sarto (1486 - 1530), Last Supper
Florence, Cenacolo of San Salvi